Friday 18 July 2014

Camel Artists' Water Color Cakes, 18 shades - color testing

For the workshop that I will teach for free starting from September 2014 at the Community Center here in Patras, I was looking for some rather cheap, but still qualitative, watercolor paints, as we do not have any funds to buy art materials. We are thankful to the contributors to our project on Indiegogo, and to the collectors that acquire my artwork during this period, as 100% of the profit of the my art sales (original watercolors and prints) made during this summer will be used to buy art materials for the workshop.
Luckily for me me, on the watercolor forum on WetCanvas, I came across with a discussion about some rather cheap, but still in the "artist quality" range, watercolor paints which are made in India and are called "Camel Artists Water Colors". They can be found as cakes in a metal box (18 shades) or in tubes of 20 ml, 9 ml and 5 ml. The major problem is that they are sold only in India. On the good side is that most of the e-shops in India that are selling the Camel watercolors are shipping them worldwide and the shipping cost is not very high, especially if you find one that send them using the India Post services (for example, the cost was 15$ for a box under 1 kg, to ship from India to Greece).
My experience with the e-shop from India was very good - they were very helpful and answering very fast to my e-mails. My order included some brush sets and drawing materials, except of the paints.
As for the paints, I ordered one box of cakes (18 shades), 1 box of 20 ml tubes (12 shades) and 2 boxes of 9 ml tubes (18 shades) of the Camel Artists' Water Colors.
I started my tests with the box of cakes, which must be one of the cheapest on the market at approximately 3 US$.
Except of the very low price, one good thing about the box is that is a metal one and one of the two sides, when open, has three quite large mixing areas. Also, the box comes with a Camlin synthetic hair brush from the round series, which seems to be the equivalent of the size 6 of the round series 66 (the size is not indicated on the brush found in the box).


What I didn't like at all about the Camel box of cakes is the plastic part, where the paints are placed. It is very thin and fragile, and while trying to get it out of the metal box the part where the brush is placed just came out in pieces (as you can notice in the photo).
Maybe very important for the watercolorists that are using pans is that these cakes are not of the usual pan-size, the square cakes look to me quantitatively as being the equivalent of about 1/4 of a full-pan.

The pigments in the box, from left to write and top to bottom order, are:

236 Lemon Yellow
154 Gamboge Hue
283 Orange
492 Yellow Ochre
393 Scarlet
241 Light Red
031 Burnt Sienna
062 Crimson
032 Burnt Umber
056 Cobalt Blue Hue
436 Ultramarine Blue
071 Cerulean Blue Hue
117 Emerald Green
453 Viridian Hue
391 Sap Green
016 Black
367 Raw Umber
478 White

And this is how they look on the paper at a consistency similar to that of paint out of a tube:


First impression is that I like the intensity and the colors. Light Red seems very close to Burnt Sienna, and Yellow Ochre very similar to Raw Umber. But I need to check them in mixes, to really see the differences. This will take some time to do, and many experiments. I only started now with testing a basic palette of 3 colors: 153 Gamboge Hue, 063 Crimson and 056 Cobalt Blue. First I made value charts of the 3 primary colors plus the 016 Black, and then a color wheel.



I think my selection of 3 primary colors is very good to get a beautiful range of mixes, and now I am looking forward to test it with some paintings too.





Tuesday 8 July 2014

Kennedy Range National Park - thank you Ros for the wonderful virtual trip!

We had the pleasure to travel to Australian landscapes, which are quite different of the ones I am used to.  This wonderful virtual trip was offered to us on WetCanvas in the AMAE (all media art events) forum, by our host Ros (aka rozzi on wetcanvas) for the June 28 WDE (weekend drawing event). Among the 16 images, I selected this one of the Kennedy Range National Park, to try my hand at a different landscape - all this stone and desert like land that I never painted before. The painting is done on a 90 lb CP Garzapapel watercolor paper, and has the size of approximately 7x5 inches. This paper is from the samples I received from Garza, and I was looking forward to test it, as I never used 90 lb paper before from any manufacturer, as I prefer heavier paper (140 lb). Although small size, the paper was buckling when a larger area was wet, but the very good thing was that it would get again completely flat when dry. It is quite receptive to paint, and it stays moist long enough to work the washes (I don't know about much larger areas), which I didn't expect from light papers to do. In the future I will consider testing the 90 lb paper from other manufacturers too, as for small sizes seems to work fine.


Friday 4 July 2014

Tropical Milkweed (Asclepias curassavica) ACEO

During the last weeks I did not manage to participate in the Weekend Drawing Events (WDE) at WetCanvas forum, and I was missing it, especially when looking at the beautiful photos shared by the hosts all over the world. Previous week host, tyree, invited us to paint along with her in Florida! I liked very much the photo with the tropical milkweed flower and buds, and I decided to do a small painting as I didn't had much time for a larger painting. It happen that just a day after tyree posted the photo, I saw one of these plants growing up under a tree on my street! One more reason to paint it. So, the painting is very small, of only 3.5x2.5 inches (ACEO size), and it is done with my usual watercolors (combination of W&N, Daniel Smith and American Journey) on Waterford 140 lb CP paper.